Coverbild Basquiat
A high-angle, studio shot of a book lying on a white background. The cover is a vibrant, neo-expressionist painting by Jean-Michel Basquiat, featuring a split orange and bright blue background with black, red, and white scribbles, symbols, and abstract figures.
An open book spread about artist Jean-Michel Basquiat. The left page displays a vibrant, abstract painting with a bright blue background, featuring graffiti-style markings in black, white, and red. At the bottom of the painting is the text THE GUILT OF GOLD TEETH. The right page features the title of an essay, Jean-Michel Basquiat in Modena.
An open art book displays a vibrant, two-page spread of Jean-Michel Basquiat's neo-expressionist painting. On a bright yellow and blue background, a dark, abstract figure with wild hair stands on the left, while a headless, yellow female torso outlined in black is on the right. The chaotic composition includes drawings of fruit, a sun, and various numbers and scribbles.
A photograph from a book shows gallerist Annina Nosei and artist Jean-Michel Basquiat standing in a messy studio in 1982. Nosei, a white woman in a pink cardigan, stands on the left. Basquiat, a young Black man in paint-splattered clothes, stands on the right. They are in front of three of his large, vibrant, neo-expressionist paintings of skeletal figures. The floor is covered in dark, wet-looking paint.
A neo-expressionist painting on a vertical canvas, set against a white background. The canvas is split, with an orange top half and a vibrant blue bottom half. The orange section contains black, raw lettering like PESO NETO inside a box, and various other scribbles. The blue section features white, spray-painted dollar signs, messy brushstrokes, and the words GOLD TEETH at the lower left. The overall style is energetic and reminiscent of street art.
Basquiat
The Modena Paintings
€ 38.00
VAT included. Shipping costs will be calculated at checkout
By (artist): Jean-Michel Basquiat
Designed by: Christoph Steinegger
Edited by: Iris Hasler und Sam Keller für die Fondation Beyeler
June 2023, 126 Pages, 38 Photos
Paperback Swiss Binding
238mm x 272mm
ISBN: 978-3-7757-5509-2

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


According to Article 9(7) of the GPSR Regulation, no additional security information is required for books without supplements or special functions.

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| The Show That Never Was
Numerous publications and exhibitions have examined Jean-Michel Basquiat's extensive oeuvre that consists of more than 3000 works. This catalogue, however, focuses on eight paintings: In the summer of 1982, Basquiat traveled to Modena, Italy, for one of his first solo exhibitions in Europe at the gallery of Emilio Mazzoli. Within just a few days, he painted a group of large-format paintings that surpassed his previous work not only in terms of their scale. Each at least two by four meters in size, they mark his transition from graffiti spraying in the streets of Manhattan to painting on canvas. At the same time, they reflect an artist coming into his own. The paintings―including masterpieces that today are considered pivotal and among the most outstanding of his oeuvre―have never been shown together. This catalogue revisits this crucial moment of Basquiat's career some 40 years ago and reunites them for the first time.

This book is also available in German.

JEAN-MICHEL BASQUIAT (1960-1988, New York) is one of the most important artists of the 20th century. Emerging from the underground post-punk scene in Lower Manhattan, he attracted the attention of the art world in 1981 with the legendary group exhibition New York/New Wave. In nine prolific years, he created an oeuvre that formulated a new visual language of raw gestural painting fused with dense writing, and repeatedly reflected the oppression, exclusion and exploitation of People of Color.
EXHIBITION
Fondation Beyeler, Riehen/Basel
June 11 - August 27, 2023
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