Coverbild Bohemia
A page layout from a book with a wide, solid coral-orange column on the left. The right side is white, featuring the title We'll Never Get Out of This Alive in orange serif text. Below is black body text about Australian dancer Vali Myers in 1950s Paris, with the page number 021 in the bottom right corner.
A black and white photograph by Ed van der Elsken showing a young woman, Vali Myers, sitting on a bench on a wet Paris street at night, circa 1950-1954. She has dark, messy hair, heavy eyeliner, and a pensive expression as she brings a cigarette to her lips. She wears a large coat over a turtleneck, and the city lights are blurred in the background.
A two-page book spread featuring two artworks. On the left is a black-and-white 1952 photograph by Edmund Teske of a shirtless, curly-haired man, Ramblin' Jack Elliott, looking down at his guitar. On the right is a 1957 color painting by George Tooker, Guitar, showing a Black man tenderly cradling a guitar next to a reclining, shirtless man.
A two-page book spread with text on the left page. The right page features a black and white 1960 photograph of a smiling, bearded Allen Ginsberg in a plaid shirt and glasses, bending over while his Siamese cat stands on his back.
A two-page book spread contrasting two images. On the left, a 1969 photo by Bill Owens shows a large crowd of young people in casual attire walking down a sunny highway at Altamont. On the right, a 1972 film still from The Discreet Charm of the Bourgeoisie shows six formally-dressed adults walking down a narrow country road.
A book spread showing two color photographs by Roy Arden from the 1980s. On the left, a person pours red wine from a bottle into one of three mugs resting on the arm of a couch. On the right, a man with dark curly hair and glasses, wearing a tan blazer and a patterned shirt, sits and brings a cigarette to his lips.
A two-page spread from a book. The left page is a solid block of coral-orange. The right page is white with black text, topped by the title A Kind of Family in a large, stylized orange font. The text is an article about the work of photographer Libuše Jarcovjáková in mid-1980s Prague, documenting her circle of friends. Footnotes appear in a smaller column to the right, above the page number 165.
A two-page book spread featuring black and white photographs. The left page shows two photos: the top one captures a crowded bar scene with a bartender leaning over the counter, and the bottom one shows several people socializing in a club. The right page has a single photo of two young men exiting a rundown building with a CLUB bar sign above the entrance at night.
A wide, atmospheric shot of the aftermath of a party in a large warehouse. The concrete floor is strewn with litter, empty bottles, and crumpled debris. On the left, a few chairs are clustered together. Above, strings of fairy lights and bunches of flowers hang from the high, exposed ceiling trusses. The back wall is illuminated by a reddish-orange glow, which casts large shadows of windows across its surface.
A book page with a two-column design. The left column is a solid dark green. The right column is white, featuring the title Biographies Author Biography in green and orange serif font. Below the title is a paragraph of text, which is the biography of Russell Ferguson, beginning with b. 1956, Glasgow. The page number 199 is in the bottom right corner.
Bohemia
History of an Idea, 1950 - 2000
€ 48.00
VAT included. Shipping costs will be calculated at checkout
Edited by: Russell Ferguson, Kunsthalle Praha
Graphic Design: Zuzana Lednická, Andrea Vacovská (Studio Najbrt)
Texts by: Russell Ferguson
English
April 2023, 224 Pages, 130 Photos
Hardcover
186mm x 274mm
ISBN: 978-3-7757-5466-8

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| Against the Grain
Since its beginnings in Paris in the mid-19th century, the idea of bohemia, an urban community of artists and intellectuals living outside bourgeois norms, has been a potent trope of artistic identity. It was here that the notion of an unconventional, free-spirited life, precarious yet filled with idealism, was codified and romanticized. Bohemia: History of an Idea, 1950 - 2000 shows the continuities and differences between the scenes and subcultures of the second half of the twentieth century, when the mainstream began to appropriate and thereby erode a way of life predicated on its rejection. Nonetheless, as an alternative to conformity the bohemian idea has exerted an enduring fascination. Through works by 39 artists, including Alice Neel, PeterHujar, John Deakin, David Wojnarowicz, Ed van der Elsken, Robert Frank and Alfred Leslie, William Gedney, Libuše Jarcovjáková, Nan Goldin, Zhang Huan and Wolfgang Tillmans, the publication explores the diversity of expressions in various cities in Europe, North America and Asia and shows that the bohemian idea continues to galvanize and inspire.

RUSSELL FERGUSON is a research professor at the University of California's Art Department. During his tenure at the Museum of Contemporary Art and the Hammer Museum in Los Angeles, he curated numerous exhibitions on culture and representation in contemporary art and photography.
EXHIBITION
Kunsthalle Praha, Czech Republic,
March 23-October 16, 2023
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