Coverbild Robert Motherwell
An angled, overhead view of a hardcover art book titled Robert Motherwell Pure Painting, set against a plain white background. The book's cover is white with the title in red lettering and features a large, black, abstract ink or brushstroke design with splatters.
A two-page spread from an art book. The left page is a full-page color photograph of Robert Motherwell's studio, showing large abstract canvases in yellow-orange and blue leaning against a curved wall. The studio floor is paint-splattered and holds a blue cloth and a low cart with paint jars. The right page features the title and beginning of an essay, Spain and Process in Motherwell's Late Paintings.
An open art book on a white surface, showing pages 50 and 51. The left page has text and two Polaroid photos of abstract red paintings. The right page features a reproduction of a New York Times article from 1976, with a large black-and-white photo of artist Robert Motherwell sitting in a rocking chair in a gallery.
A top-down view of an open art book spread across pages 172 and 173. The pages detail a chronology of artist Robert Motherwell's life and career from 1950 to 1952, featuring columns of text and several captioned images, including black-and-white photos of the artist, an abstract painting, and gallery installation views.
The back cover of a book featuring an abstract painting on a white background. The composition includes bold, curving black brushstrokes on the left and right, a wide arched stroke of yellow and orange, and a splatter of dripping red paint in the center.
A two-page spread from an art book, showing the publication details on the left and the table of contents on the right. The book is an exhibition catalog for Robert Motherwell: Pure Painting. The table of contents lists essays on the artist, a section of his writings, plates, a chronology, and a bibliography, all laid out in black text on a white background.
A two-page spread from an art book. The left page is a photograph of Robert Motherwell's studio, showing large, abstract yellow canvases leaning against a wall, one with a prominent purple rectangle. In the foreground are a blue tarp and a rolling cart with paint cans. The right page contains an essay titled Spain and Process in Motherwell's Late Paintings.
A horizontal abstract painting by Robert Motherwell from 1970, titled Open No. 150: In Black and Cream (Rothko Elegy). The artwork features a large, textured field of black paint that fills most of the canvas. In the upper right, there is a solid, off-white rectangle, creating a stark contrast.
A wide abstract painting on a white page titled Summer Open with Mediterranean Blue. The artwork is a textured field of bright blue with hints of pink underpainting. Near the top, a simple rectangle is outlined in a thin dark line next to a faint, ghostly vertical shape in a lighter blue.
A wide, horizontal abstract painting featuring a rhythmic pattern of monumental black shapes on a white background. Thick vertical black bars alternate with large, rough, ovoid forms that are compressed between them. The stark composition includes small accents of ochre, red, and light blue.
A two-page spread from an art book showing Robert Motherwell's 1958 painting, Stephen's Iron Crown. The painting, on the right page, is an abstract work featuring a large, gestural figure made of thick, energetic black brushstrokes on an off-white background, with some splatters and tan undertones. The left page is mostly blank with the title at the bottom.
Robert Motherwell
€ 44.00
VAT included. Shipping costs will be calculated at checkout
Edited by: Susan Davidson
Graphic Design: Peter Willberg
Texts by: Jennifer Cohen, Simon Kelly, Monica McTighe, Sarah Rich
Preface by: Susan Davidson
English
June 2023, 208 Pages, 100 Photos
Hardcover
262mm x 308mm
ISBN: 978-3-7757-5438-5

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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| Intuition, Philosophy and Politics: The Poetics of Abstraction
An intensely intellectual painter, Robert Motherwell is renowned for his distinctive Abstract Expressionist style. The seminal artist permeated his gestural works with an expressionism and austerity reflective of the human psyche; at the same time his oeuvre addressed political and humanitarian themes. Robert Motherwell: Pure Painting is an in-depth exploration of his artistic practice. Leading art scholars examine the American artist's turn from Surrealism to abstraction and analyze the major series that developed over his fifty-year career. The catalogue studies the dialogue between Motherwell's art and the nineteenth-century French painting tradition, investigates his relationship to Spanish techniques and processes, with an emphasis on their underlying political significance, and delves into Motherwell's use of ochre pigment, with its evocation of both deep geological time and avant-garde practices.

This book is also available in German.

In 1940s New York City ROBERT MOTHERWELL (*1915, Aberdeen, WA-1991, Provincetown, MA) entered a milieu of artists whose radical new style of painting came to be known as Abstract Expressionism. A theorist of this informal group - including artists such as Mark Rothko, Jackson Pollock, and Willem de Kooning - he taught throughout his life.
EXHIBITIONS
Modern Art Museum of Fort Worth, Texas 
June 4-September 17, 2023
Kunstforum Wien, Vienna 
October 12, 2023-January 14, 2024
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