Coverbild Josef Albers
A studio photograph of a hardcover book with a textured, reddish-brown cover, resting on a white surface. The book is titled in German, JOSEF ALBERS Huldigung an das Quadrat, with the years 1950 bis 1976 also on the cover. The image is taken from a high angle, showing the front cover and the spine.
A terracotta-colored hardcover book stands upright against a white background. The front cover is plain except for white text in the upper-left corner that reads, Herausgegeben von Heinz Liesbrock, and below, Josef Albers Museum.Quadrat Bottrop.
An overhead shot of an open book. The left page features a black-and-white photograph of the artist Josef Albers leaning over a canvas, applying paint with a palette knife. The right page contains an essay written in German.
An open art book showing a two-page spread of Josef Albers' Homage to the Square paintings. The left page displays a piece with concentric squares in warm tones of yellow, red, and orange. The right page features a similar composition with an outer red square, dark inner squares, and a teal center.
An open art book displays a two-page spread about artist Josef Albers. The left page features a black-and-white photo of Albers painting, a color photo of his paint box, and a row of palette knives. The right page contains a color study with various swatches of yellow paint. Both pages include blocks of German text.
A smaller paperback edition of Josef Albers's Interaction of Color, with a colorful geometric cover, rests diagonally on top of a larger, terracotta-brown hardcover book against a plain white background.
A two-page spread from a book about artist Josef Albers. On the left page is a black-and-white 1950 photograph by Rudy Burckhardt showing Albers, wearing glasses, crouched on the floor over a large canvas. He holds a paint tube and carefully uses a palette knife to apply paint to the edge of a dark square, a piece from his Homage to the Square series. The right-hand page contains German text under the title Bildnerisches Denken, Josef Albers und die Huldigung an das Quadrat.
A two-page spread from an art book. The left page features Josef Albers’s painting, Homage to the Square: Yellow Center, 1954, an abstract work with a yellow square inside a reddish-brown square, which is inside a black square. The right page contains text in German.
An art catalog page displays two paintings from Josef Albers's series, Study for Homage to the Square. Both abstract paintings feature a composition of nested squares in a warm palette of oranges, browns, and reds. The painting on the left is set against a bright orange outer square, while the one on the right has a muted golden-ochre outer square.
An art catalog page displaying two of Josef Albers's abstract paintings side-by-side. The left painting, titled Study to Homage to the Square: La Tehuana, features concentric squares of mustard yellow, magenta, and deep red with an orange center. The right painting, Homage to the Square: Tempered Ardor, shows nested squares of red, dark brown, and black with a teal center.
A two-page spread from a book. The left page features Paul Cézanne's 1895 painting, La Carrière de Bibémus, which depicts a quarry with large, geometric ochre rock formations and scattered green trees under a light blue sky. The right page contains an essay in German with the title Eine denkwürdige Begegnung.
A two-page book spread in German about artist Josef Albers. The left page has a large black-and-white photo of Albers applying paint with a palette knife, above smaller images of a paint box and various palette knives. The right page features a small color study of yellow squares at the bottom.
A two-page spread from a German-language publication titled Leben und Nachleben der Homage to the Square. The spread includes columns of text and three images. On the bottom left is a color reproduction of a Josef Albers painting with concentric squares of red, black, and blue. On the bottom right are two black-and-white photographs showing similar square paintings placed outdoors in a snowy, rocky, and wooded landscape.
Josef Albers
Huldigung an das Quadrat 1950 bis 1976. Ein Beitrag zur Kunst des zwanzigsten Jahrhunderts
€ 48.00

€ 64.00
VAT included. Shipping costs will be calculated at checkout
By (artist): Josef Albers
Designed by: Ingo Offermanns
Edited by: Heinz Liesbrock
November 2022, 356 Pages, 220 Photos
Hardcover
228mm x 314mm
ISBN: 978-3-7757-5415-6

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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| Squaring the Square
Josef Albers' groundbreaking series Homage to the Square comprises roughly two thousand oil paintings. His continuous reflections and refinements for more than 25 years inspired numerous young minimal and conceptual artists in their search for a reduced formal language. This outstanding catalogue explores the secret of Albers' subtle aesthetic and unearths its preconditions: What is the significance of the square? How does his impression of color and its use as a material change during this period?
Featuring studies on paper, archival materials, as well as essays by internationally leading Albers experts, Margit Rowell and Donal Judd, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.

This book is also available in English.

As an influential teacher, writer, painter, and color theorist JOSEF ALBERS (1888, Bottrop-1976, New Haven, CT) is one of the leading pioneers of twentieth-century modernism. From 1923 onwards he taught at the Bauhaus, and continued to do so after his emigration to the USA in 1933 at Black Mountain College in North Carolina, and at Yale University, where he worked on his Homage to the Square from 1950 until his death.

HEINZ LIESBROCK (*1953) was the long-standing director of the Josef Albers Museum Quadrat in Bottrop. He has written extensively on Albers and his influence on art history.
EXHIBITION
Josef Albers Museum Quadrat
October 19, 2022 - February 26, 2023
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