Marius Glauer - Hatje Cantz

A minimalist table of contents on a white page. The heading CONTENTS is at the top, followed by a list of section titles in a serif font, such as Fotogramme, How to Make a Fire, and The Rose's Radical Nature, with their authors and page numbers aligned to the right.

A two-page spread displaying two vibrant abstract artworks. The piece on the left features a layered collage of translucent yellow, magenta, and light blue shapes with white, spiraling lines. The piece on the right is a composition of sharp, crystalline forms in deep blue, cyan, and yellow.

An abstract photograph shows several brightly colored, thin vertical rods against a white textured background. The rods, in shades of blue, pink, cyan, and orange, are partially obscured by thick, black paint that drips down from the top of the frame, creating a stark contrast.

A page from an art catalog displays a composite image on the left and a list of artwork details on the right. The image is split horizontally. The top section shows thick, white, puffy swirls on a grainy, dark background. The bottom section features a glossy, fluid abstract piece in shades of deep red.

An abstract artwork on a white page, featuring a horizontal composition. The top half is a glossy, vibrant magenta fabric with a wavy texture. The bottom half is a textured, silvery-white surface. A thick, metallic gold rope with frayed ends is knotted on the magenta section and hangs down over the silver.

An abstract diptych showing two pages from a book. Each page features a piece of crinkled, iridescent silver foil that reflects a rainbow of colors. Thick, horizontal lines and splatters of black paint are layered over the foil.

A two-page spread from a book. The left page displays a square, abstract artwork with a shimmering, textured surface. The colors create an iridescent effect, transitioning diagonally from warm reds and oranges to cool purples and blues. The right page is mostly blank, with a list of artwork titles and dimensions in the top right corner.

A page from an art book showing an installation of several artworks on a wooden floor. A large red abstract color field painting and a print of Van Gogh's Sunflowers stand against a white wall. In front of them are two smaller, vibrant pink and purple abstract pieces. The right side of the page has a column of German text.

A close-up photograph of a wilting rose with dry, pale pink petals and crumpled gray-green leaves set against a stark, solid blue sky. In the upper right corner, a few yellow flowers are out of focus.

A two-panel photograph shows vibrant red poppies and tall grasses against a surreal, shimmering backdrop. The background glitters with an iridescent texture of blue, green, and yellow, creating a stark, dreamlike contrast with the natural flowers in the foreground.

A two-page spread from a book with text in English and German. The English title is Nowness, the Extent of Imagination. Between the columns of text is a classic still life painting of a colorful bouquet of flowers in a vase against a dark background.

A two-page spread from an art catalog displaying a grid of colorful, abstract photographic artworks. The pieces feature a mix of vibrant patterns, including cloud-like motifs, wavy lines, and still lifes with objects like a lobster and a fork. Each artwork is accompanied by a caption with its title and details.

Marius Glauer

GLAUER

€ 48.00

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By (artist): Marius Glauer, Marius Glauer

Contributions by: Diandra Donecker, Marius Glauer

Edited by: Christian Ganzenberg

October 2021, 298 Pages, 150 Photos

Flexibound

250mm x 312mm

ISBN: 978-3-7757-5066-0

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de

According to Article 9(7) of the GPSR Regulation, no additional security information is required for books without supplements or special functions.

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| Sculptural Photography

Marius Glauer focuses his attention on the borderline between photography and sculpture. With his sculptural-based photography, he traverses the entire material and discursive range of what can be considered photography today. Glauer's camera takes an intimate and revealing look at his protagonists: glittering surfaces, objets trouvés, and flowers become hyperreal actors or monumental facades. As expansive, three-dimensional assemblages, his works simultaneously question the translatability of the world into the two-dimensional medium of photography. This monograph is the first to provide detailed insights into the artist's experimental oeuvre and presents the groups of works he produced over the course of the last decade. Concise texts accompany and position his oeuvre in the social and art-historical discourse.

MARIUS GLAUER (*1983) is a German-Norwegian artist. He studied with Josephine Pryde at the University of the Arts, Berlin, and at Parsons School of Art and Design, New York. His works have been shown in international institutions and exhibitions. He lives and works in Berlin and Oslo.