Coverbild Socializing Architecture
A table of contents for a book, shown in white text on a black background. The introduction is titled A Critical Spatial Practice at the US-Mexico Border. Section I is Essays, with five chapters. Section II is Projects, with six chapters. Chapter titles include Co-Producing the City with Others and Immigrant Neighborhoods: Housing Laboratories. The list concludes with Notes, Image Credits, Acknowledgements, and Colophon, with page numbers aligned to the right.
A conceptual diagram on a cream-colored background, spread across two pages. The diagram is a collage of irregularly shaped photographs showing various crowds of people at events like protests and concerts. The photo fragments are interconnected by a complex network of thick, red arrows, indicating flow and relationships. A central image of a crowd acts as a hub, with many arrows radiating from and pointing towards it.
A two-page spread from an academic text with a light green page on the left and a white page on the right. The large title on the left page reads, A PRACTICE OF MEDIATION: TOP-DOWN / BOTTOM-UP. The text discusses urban practice, architecture, and mediating between institutional and community-led approaches, with section headings A Critique of Practice and The Expansion of Practice.
A panoramic photomontage of a starkly divided landscape. The upper half depicts a dry, hilly terrain with a few scattered buildings under a patchwork blue sky. The lower half is a dense, chaotic, and abstract assembly of fragmented architectural and industrial images in cool tones, creating the impression of a complex, futuristic cityscape.
A photograph taken from a close-up, blurry perspective, looking across a field of dry, golden grass toward several prototypes for a border wall. The different wall sections, including one with black vertical slats and others made of solid concrete, stand in a row along a road in a desert landscape with mountains visible in the distance under a pale sky.
A two-page spread from a publication, displaying eight panoramic aerial photographs of arid, desert landscapes. The images show a sharp contrast between the rugged, natural terrain of mountains and plains, and a straight, man-made line representing a political border that cuts across the environment. The page is titled Dumb Sovereignty.
A two-page layout from a publication showing four visual analyses of spatial conflicts. Each analysis combines a strip of photographs with a corresponding grayscale map or plan. The topics illustrated are the conflict between large infrastructure and natural water systems, formal and informal urbanizations, jurisdictional boundaries and natural topography, and the Tijuana River and the border wall.
A four-photo layout showing the 60 Linear Miles of Cross-Border Conflict installation at the 2008 Venice Architecture Biennale. A large, semi-transparent screen printed with an image of a border wall is wrapped around the neoclassical US Pavilion. The photos show the installation from different angles, during both day and night, with visitors walking around and behind the screen.
An architectural diagram is superimposed over a photograph of informal housing on a hillside. The diagram uses icons, lines, and patterns to analyze the structures, with labels pointing to concepts like Adaptive Space, Negotiated Boundaries, Informal Economy, Incremental Development, Social Organization, and Solidaristic Infrastructure.
A two-page book spread featuring a colorful, painterly architectural illustration of a modern housing development. The vibrant, blocky buildings in shades of blue, red, and purple are integrated with and surround a historic, white Spanish-style church. The scene includes a street, palm trees, and cars under a bright yellow sky, with columns of text about urban housing below.
A four-part infographic detailing a process for urban housing development. The process flows from left to right: 1. Urbanization of Retrofit, with city and neighborhood maps. 2. Social Practices of Adaptation, showing community photos and a stakeholder diagram. 3. The Neighborhood as Political Unit, with diagrams of community engagement processes. 4. Spatializing Citizenship, displaying isometric architectural drawings of housing units. Captions below explain each stage of the process.
A two-page graphic layout. On the left, a stylized collage shows diverse people, including one in a yellow suit and another with a white cane, on a crosswalk under the text THE CITY IS A CLASSROOM. On the right, a yellow lined-paper graphic is titled CIVIC LESSONS and features a checklist with points on transforming social norms, using community process to fight violence, and the role of arts in civic engagement.
The cover of the book Socializing Architecture: Top Down Bottom Up by Teddy Cruz and Fonna Forman, with black text on a light blue-gray background.
The cover of Socializing Architecture: Top Down Bottom Up by Teddy Cruz and Fonna Forman, featuring black text on a blue-gray background with subtle geometric shapes.
Socializing Architecture
Top Down / Bottom Up
€ 48.00
VAT included. Shipping costs will be calculated at checkout
Edited by: Teddy Cruz, Fonna Forman
Graphic Design: NODE Berlin Oslo
Texts by: Teddy Cruz, Fonna Forman
English
February 2023, 584 Pages, 920 Photos
Paperback with Lay-Flat Binding
172mm x 244mm
ISBN: 978-3-7757-4322-8

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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| Co-producing the City
At the intersection of architecture, art, public culture, and political theory, Socializing Architecture urges architects and urbanists to mobilize a new public imagination toward a more just and equitable urbanization. Drawn from decades of lived experience, Teddy Cruz and Fonna Forman engage the San Diego -Tijuana border region as a global laboratory to address the central challenges of urbanization today: deepening social and economic inequality, dramatic migratory shifts, explosive urban informality, climate disruption, the thickening of border walls, and the decline of public thinking. Following Spatializing Justice, Socializing Architecture is the second part of a two-volume monograph. It continues to build a compelling case for architects and urban designers to intervene in the contested space between public and private interests. Through analysis and diverse case studies, the authors demonstrate strategies for altering exclusionary urban policies and advancing instead a more equitable and convivial architecture.

Professors Cruz and Forman are principals in ESTUDIO TEDDY CRUZ + FONNA FORMAN, a research-based political and architectural practice in San Diego. They lead a variety of urban research agendas and civic/public interventions in the San Diego-Tijuana border region and beyond. They also direct the University of California, San Diego's Center on Global Justice, which focuses on community-based solutions to poverty and environmental crisis.
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