Jim Naughten Eremozoic The Age of Loneliness
Pressedownload
Der Pressedownload darf nur im Zusammenhang mit einer Buchbesprechung verwendet werden. Für die Illustration einer Buchbesprechung können nur bis zu drei Bilder genutzt werden. Für andere Textformate und Nutzungszwecke (wissenschaftliche Vorträge, Werbung oder ähnliches) bitten wir Sie, vorab mit uns in Kontakt zu treten, um mögliche Fragen zu Honorarkosten, Nutzungsund Urheberrechten zu klären. Die bereitgestellten Bilddaten dürfen nicht manipuliert, beschnitten oder zweckentfremdet verwendet werden. Die Pressebilder dürfen nur mit dem vollständigen Bildtitel, dem Namen des Künstlers und/oder Urhebers sowie mit dem Hinweis auf den Hatje Cantz Verlag veröffentlicht werden. Bitte beachten Sie außerdem im Einzelfall die Reproduktionsbedingungen der VG Bild-Kunst Bonn bzw. der internationalen Verwertungsgesellschaften für Bildende Kunst.
Jim Naughten Eremozoic
Inspired by dioramas of wild flora and fauna found in natural history museums, Jim Naughten’s digital reimaginations of a familiar yet alien world, explore the idea of wildlife becoming a lost fantasy. From orangutans swinging through psychedelic forests, to deer roaming pastel-hued canyons—Naughten’s depictions of nature in an artificial color palette convey a distinct sense of dislocation and growing estrangement. His fantastical tableaus question our rose-tinted image of a natural world that is largely fictional. In fact we are entering the Eremozoic—a term coined by biologist and writer E. O. Wilson to describe the current era of mass extinction triggered by human activity. Also referred to as “The Age of Loneliness,” the term alludes to the isolation that will follow the destruction of our deeply rooted relationships with other species.
JIM NAUGHTEN (*1969, Horsham, Sussex) explores historical and natural history subject matters using photography, stereoscopy, and painting. Trained in both photography and painting, the London-based artist combines these backgrounds in a practice he refers to as “digital painting”. Treating photographs like oil paintings on canvas, he uses digital enhancement to alter reality.
Inspired by dioramas of wild flora and fauna found in natural history museums, Jim Naughten’s digital reimaginations of a familiar yet alien world, explore the idea of wildlife becoming a lost fantasy. From orangutans swinging through psychedelic forests, to deer roaming pastel-hued canyons—Naughten’s depictions of nature in an artificial color palette convey a distinct sense of dislocation and growing estrangement. His fantastical tableaus question our rose-tinted image of a natural world that is largely fictional. In fact we are entering the Eremozoic—a term coined by biologist and writer E. O. Wilson to describe the current era of mass extinction triggered by human activity. Also referred to as “The Age of Loneliness,” the term alludes to the isolation that will follow the destruction of our deeply rooted relationships with other species.
JIM NAUGHTEN (*1969, Horsham, Sussex) explores historical and natural history subject matters using photography, stereoscopy, and painting. Trained in both photography and painting, the London-based artist combines these backgrounds in a practice he refers to as “digital painting”. Treating photographs like oil paintings on canvas, he uses digital enhancement to alter reality.
Rebecca Hossack Gallery, London
01.03.–30.03.2023
»The artist Jim Naughten manipulates museum displays and photographs to make a statement about man’s alienation from nature.«
The Sunday Times Magazine