Coverbild Christina Glanz
A minimalist table of contents on a white background. The heading reads INHALT in black and TABLE OF CONTENTS in grey. Chapter titles are listed with page numbers in both German and English. Topics include Inside the Briquette Factories, Letters of Dismissal, Young People in Pre-Military Training, The Final Shift, and interviews with women in the coal industry.
A two-page spread from a book with German text in a black serif font on a white background. The left page features a large heading: ICH WÜRDE SOFORT WIEDER IN DIE KOHLE GEHEN... EINLEITUNG, with the author's name, KATALIN KRASZNAHORKAI, below. The text is arranged in two columns. The right page contains a single column of text.
A two-page book spread titled Inside the Briquette Factories. The page on the left has text in German and English. The page on the right features a stark black-and-white photograph of a young male factory worker, his face and arms covered in dark dust, looking directly at the camera from within an industrial facility.
A black and white diptych showing two portraits of female industrial workers. On the left, a woman in a hard hat and work jacket stands in front of a brick building. On the right, a woman in overalls and a headscarf stands on a walkway inside a factory. Both women look directly at the camera with slight smiles.
A black and white diptych of two portraits. On the left, a woman in profile wears a floral headscarf and looks to the right. On the right, a man with a serious, pensive expression looks off to the left.
A two-page spread from a photo book. On the left, text in German and English is titled DIE KÜNDIGUNGEN / LETTERS OF DISMISSAL. On the right is a black-and-white photograph of a middle-aged woman with short, curly hair, wearing a floral work apron. She stands in a stark room, holding a white letter in her hands and looking directly at the camera with a somber expression, having just received her notice of dismissal.
A side-by-side pair of black and white portraits. On the left, a woman in a dark coat and headscarf holds a piece of paper. On the right, a woman with glasses and a knit sweater holds an envelope. Both stand in an office-like setting and look directly at the camera with neutral expressions.
A two-page book spread. The left page has text in German and English with the title YOUNG PEOPLE IN PRE-MILITARY TRAINING. The right page features a black-and-white photograph of two serious-looking young men in uniform shirts. The man on the left has dark, straight hair and a mustache, while the man on the right has a full head of curly, light-blonde hair. They are outdoors in a field with trees in the background.
A black and white diptych from a book showing young men in military uniforms. The left image is a close-up of a bearded man addressing a group of recruits. The right image shows a line of recruits marching in a synchronized, stiff-legged walk on a paved road outdoors.
A black and white diptych of military recruits training in a field. On the left, several young recruits lie prone on the grass, aiming rifles. On the right, a group of recruits stands in a circle watching as an instructor demonstrates a technique in a shallow trench.
A black and white diptych of two vertical photographs showing close-ups of damaged pavement. The photo on the left shows a dug-up rectangular section of ground with exposed broken bricks and rubble. The photo on the right shows a rough, damp patch of concrete with indentations and an uneven texture.
A two-page spread from a German book showing excerpts from interviews with coal women, titled Auszüge aus Interviews mit Kohlefrauen. The text is laid out in a clean, two-column format on pages 106 and 107, featuring the transcribed conversations.
A two-page book spread titled THE FINAL SHIFT. On the left is explanatory text in German and English. On the right is a large, black-and-white photograph from 1993 showing a group portrait of dozens of workers, men and women in hard hats and workwear, posing inside a German briquette factory on their final shift before its shutdown.
A diptych showing the same young man in two different work environments. On the left, he is dressed as a waiter, standing by a formally set dining table with a single red rose. On the right, he is in an industrial factory, wearing a white protective suit and face shield while working on a large white object.
Christina Glanz
„Ich würde sofort wieder in die Kohle gehen…" / "I would always go back to the coalface ..."
€ 44.00
VAT included. Shipping costs will be calculated at checkout
Edited by: Katalin Krasznahorkai, Christina Glanz
Graphic Design: Julia Wagner, grafikanstalt
Artist: Christina Glanz
Texts by: Katalin Krasznahorkai, Sonia Voss
German, English
September 2023, 160 Pages, 100 Photos
Hardcover
246mm x 248mm
ISBN: 978-3-7757-5549-8

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


According to Article 9(7) of the GPSR Regulation, no additional security information is required for books without supplements or special functions.

Press download
PORTRAIT OF A WORLD IN UTTER TRANSFORMATION
Coal workers at the very moment they receive their notice; the last shift before they have to dismantle their own plant; self-confident glances into the camera from the so-called "coal women" to the No-Future generation of the 2000s. From 1982 to 2006, photographer Christina Glanz closely documented the often dramatic transformation processes in the East German lignite region of Niederlausitz. As the Lauchhammer coal and briquette factories have almost completely disappeared today, Christina Glanz's series of photographs, some of which have never been published before, provide an insight into the historical transformation of a region and its identity. Complemented by an introduction from Katalin Krasznahorkai, an essay by Sonia Voss and transcripts from Christina Glanz's conversations with coal women after the German reunification, this publication revisits a story of empowerment, confidence and resistance against all the odds from a time of transition to a new world.

CHRISTINA GLANZ (*1946, Eichsfeld, Germany) studied architecture in Dresden and at the Weißensee Academy of Art Berlin. From 1973 - 78 she worked at tthe state department for urban development, where she was concerned with one of East Berlin's major housing projects, the development of the Marzahn district. In 1979, Glanz became a research assistant in architecture and photography at the Weißensee Academy of Art Berlin, and has worked as a freelance photographer since 1982.
EXHIBITION 

Haus der Brandenburgisch-Preußischen Geschichte, Potsdam, September 29, 2023-March 24, 2024
Recommendations for you