Coverbild Amitié et créativités collectives
A page from a French-language book showing a list of contributors and a table of contents. The page is organized in columns, with names and biographies on the left, and section titles with page numbers on the right.
A two-page spread from a book in French. The left page features the title Amitiés, créativité collective in a large black font, with the author's name, Jean-Jacques Lebel, at the bottom. The right page consists of a full block of text starting with a quote from Gilles Deleuze and Félix Guattari.
A page from a book, featuring French text on the left and a photograph on the right. The sepia photograph, dated 1913, shows two men and a woman—Francis Picabia, Guillaume Apollinaire, and Gabrielle Buffet—at Luna Park. They pose behind a railing with a lifebuoy lettered LA FRANCE. The entire photograph is overlaid with handwritten text in French. The book page title includes the names Francis Picabia, Jean Arp, Gabrielle Buffet, and Tristan Tzara.
A two-page book spread about the artist Francis Picabia. The left page contains a long, alphabetized list of names. The right page shows Picabia's 1921 painting, L'Œil Cacodylate, a light-colored canvas covered in signatures, handwritten messages, collaged photos, and a large, realistic brown eye in the lower right quadrant.
A black-and-white two-page spread from a book about Luis Buñuel and Salvador Dalí. The pages feature French text, a portrait of a pensive Buñuel, a portrait of a young Dalí with his mustache, and a surreal film still of a dead donkey lying across the keys of a grand piano.
A two-page spread from a book about Salvador Dalí and Marcel Duchamp. The left page has an article in French. The right page displays a collaborative 1961 artwork dedicated to Leonard Lyons, featuring a large black silhouette of a profile over an ink drawing of a landscape with a boat. The artwork is covered in handwritten notes, signatures by both artists, and includes a red thumbprint.
A two-page spread from a book about artists Willem De Kooning, Jasper Johns, Allan Kaprow, and Robert Rauschenberg. On the left are black-and-white photos of Rauschenberg and Johns in their studios next to French text. The right page shows a color photo of Robert Rauschenberg's artwork, Erased de Kooning Drawing, a mostly blank, smudged paper in a gold frame, with a related English quote below.
A composite image showing four open scrapbook spreads arranged in a two-by-two grid. Each spread is a dense, aged collage of text and images. The top-left has vintage black-and-white photos of people and landscapes. The top-right features torn newspaper clippings and a watch. The bottom-left is filled with handwritten script and red ink splatters. The bottom-right includes more clippings and photos collaged onto a bright red background.
A two-page spread from a book in French about the art installation Hon / en Katedral. The left page shows a poster for the 1966 exhibition at the Moderna Museet with a colorful schematic of a large reclining female figure. The right page features a black-and-white photograph of the monumental sculpture, with visitors entering the structure between its open legs.
A two-page spread from a book in French about artists Jenny Holzer and Lady Pink. The right page features a large, colorful painting of a fiery, chaotic urban scene with a masked figure. Large, black, sans-serif text overlaid on the image reads DON'T SHOOT CIVILIANS.
A two-page spread from a book about the feminist art collective Guerrilla Girls. The left page contains text in French. On the right, a 1989 poster shows a reclining nude with a gorilla mask and asks, Do women have to be naked to get into the Met. Museum? Below the poster is a color photo of three members wearing their signature gorilla masks and black outfits.
Amitié et créativités collectives
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Edited by: Blandine Chavanne und Jean-Jacques Lebel mit Andreas Beitin und Jean François Chougnet
Graphic Design: Pierre Péronnet, Wijntje van Rooijen
Texts by: Dr. Andreas Beitin, Carole Boulbès, Dr. Harald Falckenberg, Robert Fleck, Eckhart Gillen, Jean-Jacques Lebel, Alyce Mahon, Barry Miles, Dr. Andres Pardey, Gavin Parkinson, Peter Weibel, Siegfried Zielinski, Cécile Bargues, Jean Brolly, Blandine Chavanne, Jean Francois Chougnet, Elena Engelbrechter, Paolo Fabbri, Antoine Gentil, Patrick de Haas, David Lapoujade, Francis Marmande, Thierry Raspail
French
November 2022, 304 Pages, 180 Photos
Hardcover
188mm x 260mm
ISBN: 978-3-7757-5209-1

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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| Friendships that Made Art History
A characteristic of 20th- and 21st-century artistic production is that casual acquaintances and close intimates, friends, lovers, or sometimes even rivals come together to work collaboratively on the realization of a single work of art. Amitié et créativités collectives is focused on the genesis of these works and explores the conditions that contributed to the concentration and liberation of these creative energies. Beginning with the groundbreaking socio-cultural upheaval of the 19th century, the publication examines for the first time a variety of works of diverse genres and techniques from different time periods. Featuring works by Salvador Dalí and Luis Buñuel, Francis Picabia and René Clair, Jean Tinguely and Yves Klein, William Burroughs and Brion Gysin, Jenny Holzer and Lady Pink; and many more, this publication. brings together more than one hundred works.

PETER WEIBEL (* 1944, Odessa) is an internationally known media and conceptual artist, curator, and art and media theoretician. Since the 1960s his work has firmly regarded artistic creativity as an open-ended field of activity. He was head of the ZKM, Karlsruhe until 2020. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universität für angewandte Kunst in Vienna.
EXHIBITIONS
MUCEM, Marseille
October 18, 2022-February 13, 2023
Kunstmuseum Wolfsburg
May 14-September 24, 2023
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