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Coverbild Jorinde Voigt
A table of contents for a book, with titles on the left and page numbers on the right. The entries are a mix of German and English and include: Preface by Erin Manning; 15. August, Pätzer Vordersee; Studie zur Wirklichkeit; Atem-Studie; No Silence; Beat + Wave; H. Schmitz: Intensität, Atmosphären + Musik; a line of icons (eye, nose, ear); Herrmann Schmitz Atmosphären; Particella; Little Fugue; Fugue; The Sum of All Best Practices; Concept by Jorinde Voigt; About the Artist; and Imprint.
A two-page spread from an art publication. The left page contains text about the artwork: Studie zur Wirklichkeit II, Berlin, 2021. The right page shows a photograph of the framed artwork. The piece is a 3D collage in a black shadow box, featuring two abstract forms made from layered pink and white paper cutouts. The cutouts reveal a mirror base, and the composition is overlaid with thin red lines and graphite diagrams.
A close-up of an abstract papercut artwork with a dynamic composition of layered, organic shapes. The colors are primarily orange, white, pink, and a dark, patterned blue. White cutouts feature handwritten script and arrows suggesting movement, while large orange forms are covered in fine black line art. A braided, reddish-orange band runs horizontally through the image, weaving between the layers.
A page spread from an art catalog. The left page lists details for the artwork: Studie zur Wirklichkeit 5, Berlin, 2021, Ink, graphite on paper, Collage, mounted on mirror glass. The right page shows the artwork, a framed abstract collage on a dark grey wall. The piece features orange and red lines descending from repeating linear forms at the top, passing through an organic shape, and ending in a large black mass at the bottom.
A two-page book spread. On the left page is text identifying the artwork: Beat + Wave 2, Bodrum, 2021, 41 x 31 cm, Ink, graphite on paper. The right page displays the abstract artwork, which consists of numerous fine, parallel, wavy lines drawn in black, slanting diagonally across the white paper to create a rhythmic pattern.
An abstract, mixed-media artwork on a white background, resembling a scientific diagram. The piece features two main diagonal forms: one is a complex, layered cutout in beige, gray, and black, threaded with an orange line, and the other is an elongated oval containing a pink, serrated object. The entire composition is overlaid with handwritten notes in black ink.
An art catalog page with text on the left and a photo of a framed artwork on the right. The artwork is an abstract, three-dimensional collage by H. Schmitz, featuring layered cut-outs of red-orange and white paper. The composition includes graphite scribbles, handwriting, and an orange cord that runs through the piece. Underneath the top layers, accents of blue and yellow paper are visible. The piece is in a black frame, mounted on a dark wall.
An abstract artwork on a white background featuring black handwritten cursive text. A sculptural element made of finely layered paper strips in shades of blue, green, tan, and orange cuts horizontally through the center. The strips are folded into two opposing, jagged, mountainous forms that nearly meet, with the text visible in the spaces above and below.
A two-page book spread. The left page provides text information for an artwork titled Particella III. The right page displays a photograph of the artwork, which is a three-dimensional collage in a pink frame against a dark wall. The collage is made of layered pink and cream paper with anatomical-style drawings, a large black abstract shape at its center, and thin, white, spine-like protrusions extending from the side. The piece is mounted on a mirror, creating reflections.
A page from a book displaying the artwork Particella VIII. On the left is text with the title and creation details. On the right, a photograph shows the artwork in a black frame against a dark wall. The piece is a collage of layered, light-beige paper cut-outs with small graphite drawings on them. Attached to these are smaller, vibrant red and purple organic shapes. The entire composition is mounted on a mirror, creating reflections.
A two-page spread from an art book. The left page has text describing the artwork. The right page shows the piece, titled Fugue (3), a framed, three-dimensional collage hanging on a blue wall. The artwork depicts an abstract mountain landscape made from layered paper in shades of blue, grey, yellow, and orange.
A page from a book or catalog showing an artwork on the right and its details on the left. The artwork, titled The Sum of All Best Practices VIII, is a three-dimensional collage in a dark shadow box. It features layered, dark gray paper cutouts of various leaf shapes, mounted over a mirror that reflects bright light through the gaps.
A minimalist two-page spread from a book, numbered 278–279. On the left, black text on a white background reads Konzept, The Sum of All Best Practices, Jorinde Voigt, Berlin, November 2021. The right page features a long block of text in German, also in black on a white background.
Jorinde Voigt
On Reality
€ 34.00
VAT included. Shipping costs will be calculated at checkout
By (artist): Jorinde Voigt
Designed by: Studio Marek Polewski
Edited by: Studio Jorinde Voigt, Moody Center for the Arts
January 2023, 304 Pages, 129 Photos
Paperback
128mm x 190mm
ISBN: 978-3-7757-5404-0

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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Press download
| Drawing as Surgery on Reality
On Reality brings together Jorinde Voigt's current body of work, first exhibited in 2022 as part of the exhibition Experimental Strategies in Art + Music at the Moody Center for the Arts, Houston, Texas. By replacing the drawn line with the cut of the scalpel, Voigt creates works on paper through cutting, layering, and mounting that expand the medium of drawing into the three-dimensional. Voigt's idea of the artistic creative process as an operation on and production of reality literally comes into being. The concept that also underlies her sketch-like drawings of more recent date recalls the beginnings of Voigt's artistic expression: notations with diagrammatic elements, musical influences, and spontaneously transferred graphic gestures of situational experience. The publication includes a foreword by the Canadian cultural theorist, philosopher, and artist Erin Manning.

JORINDE VOIGT (*1977, Frankfurt am Main) is an internationally acclaimed artist based in Berlin and Hamburg. In 2004 she graduated from the Universität der Künste Berlin. Since then, her works have been presented in numerous exhibitions worldwide, and are part of prominent collections such as those of the MoMA, New York, and the Centre Pompidou, Paris. Jorinde Voigt is Professor of Conceptual Drawing and Painting at the Hochschule für Bildende Künste (HfBK) in Hamburg.
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