Coverbild Georg Baselitz
The back cover of a hardcover book with a solid ochre background, set against a white surface. Near the top, a quote in German by Georg Baselitz is printed in white lettering. Centered below the quote is a small, square detail from a classical painting depicting the face of a child with curly hair. An ISBN barcode and publisher information are visible at the bottom.
A three-quarter view of a hardcover book with a golden-brown cover, set against a white background. The cover features a close-up, textured image of an eye and the title Baselitz Nackte Meister in large white letters. The spine is also visible.
An open art book spread on a white surface. The left page shows a black and white photo of a man holding a large, abstract painting of a figure. The right page features the German title Nacktheit: Körperideale und Positionen in der bildenden Kunst, followed by several paragraphs of text.
An open art book displays a two-page spread against a white background. On the left is a modern, expressionist painting of an upside-down, nude Black figure with large white wings against an abstract, blocky background. On the right is a classical, realistic painting of a nude, fair-skinned goddess with two cherubs, facing a man in a winged golden helmet.
An open book lies flat against a white background, displaying a two-page spread of abstract art. The left page shows a dense tangle of figures in black ink and splatters, with accents of thick lavender and red paint. The right page features a sparser composition of figures in black ink below a thick, calligraphic-style border at the top.
An interior view of an art gallery with a dark red, curved wall. On the left is a large, framed modern abstract painting with bold pink, black, and grey brushstrokes. To the right, two smaller, framed classical paintings of reclining female nudes are stacked vertically. The bottom edge of a large, gold-leafed painting is visible at the top of the frame.
A two-page spread from an art book. On the left, a full-page color photograph shows an older male artist sitting on a bench in his studio. He wears a black polo shirt and paint-stained white pants. Behind him, several large abstract paintings, some featuring upside-down figures, lean against the wall. The right page shows the table of contents in German, with the title Inhalt.
A black and white photograph from a book shows the artist Georg Baselitz in a gallery. He stands next to his large, expressive paintings, which famously depict portraits hanging upside down. The photo is part of a two-page spread with German text on the right.
A side-by-side comparison of two paintings depicting falling figures. On the left is Georg Baselitz's modern expressionist painting of a single, inverted figure against a textured blue background. On the right is Luca Giordano's classical Baroque painting of the armored Archangel Michael with a sword, casting a multitude of nude, demonic figures down from the heavens.
A side-by-side comparison of artworks. On the left, a large modern expressionist painting shows two nude figures in vibrant pink against a dark abstract background. On the right, two classical oil paintings are stacked vertically, each showing a realistic, serene reclining nude woman on luxurious fabrics.
A diptych of two abstract paintings with an energetic, frenetic style. On the left, a tangled mass of human figures is depicted with black ink, lavender, and red paint on a cream background. On the right, more linear figures drawn in black ink appear to be falling or hanging upside down against a pale blue-grey background.
A side-by-side comparison of two paintings depicting couples. On the left is a classical oil painting of a muscular satyr embracing a nude woman in a forest. On the right is a modern, abstract painting with two elongated, distorted figures rendered in rough, expressive brushstrokes of mauve and black.
A two-page spread from an art catalog. On the left is a modern painting by Georg Baselitz, featuring several abstract, salmon-pink human figures upside down against a mottled blue-gray background. On the right is a classical painting by Bartholomäus Spranger depicting a nude man and woman, Adam and Eve, embracing in a dark, wooded setting. German text identifying the artists and artworks is between the two images.
An art book page showing the 2022 painting Nylonparade by Georg Baselitz. In the artist's signature style, the painting features multiple pairs of long legs inverted against a textured white background. The legs are wearing sheer, dark nylons and are superimposed over expressive, abstract patches of pastel pink, blue, and orange paint.
Georg Baselitz
Nackte Meister
€ 48.00
VAT included. Shipping costs will be calculated at checkout
By (artist): Georg Baselitz
Edited by: Sabine Haag
May 2023, 252 Pages, 175 Photos
Paperback with Flaps
284mm x 322mm
ISBN: 978-3-7757-5410-1

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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| Georg Baselitz and the Old Masters
Georg Baselitz enters a dialogue with the Old Masters - invited by Kunsthistorisches Museum Vienna, the acclaimed German painter and sculptor engages in a visual conversation. Baselitz himself curated this selection of works, focusing exclusively on nude painting. Both the exhibition and the catalogue revolve around this elemental human state, and its fundamental role in European art. From the beginning of his career, Baselitz's work has been informed by a pronounced awareness of art history, above all he was inspired by Mannerism's break with classical rules. Insights into the history of nude painting, as well into the topicality of painting itself, emerge from this encounter of Baselitz's works with historical paintings of an idealized beauty from Kunsthistorisches Museum. The carefully chosen juxtapositions open up a space in which one can reflect and experience the essence of painting anew.

This book is also available in English.

GEORG BASELITZ (*1938, Deutschbaselitz) is without a doubt one of the most influential painters and sculptors of our time. His work eludes easy categorization, but has continuously returned to his search for a new approach to updating classic figurative painting. In a celebrated turning point in 1969, he literally turned his paintings upside down and thereby man- aged to change the public's viewing habits, and to sharpen their perceptions.
EXHIBITION  
Kunsthistorisches Museum Wien, Vienna
March 7-June 25, 2023
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