Coverbild Fujiko Nakaya
A two-page spread from a book about artist Fujiko Nakaya. On the left is the table of contents, listing chapters like Fog Sculptures. On the right is a full-page photo of an outdoor art installation, showing a group of people standing in a thick cloud of white fog that fills a sunny plaza.
A two-page spread from a publication. The left page features a full-bleed, vertically-oriented photograph of a stark white, multi-level architectural interior shot from a low angle looking up. The right page contains text under the title Nebel Leben.
A two-page spread from a book. The left page features a dense block of academic text with footnotes. The right page, numbered 21, shows a literary work by Anne Carson titled Lecture on the History of Skywriting, with sections for a preface and an entry for Monday.
A two-page spread from a publication titled Fog Sculptures 1981-2021. The left page consists of text with a small inset photo of a sunlit room. The right page features two larger photos of outdoor fog installations: the top photo shows fog billowing from white blocks in a modern courtyard, and the bottom photo shows fog enveloping a long scaffolding structure built over stone ruins.
A page layout with three photographs of fog art installations. On the left, an indoor sculpture sprays mist in front of a wall of glass blocks. On the right, an overhead view shows people in a circular, fog-filled plaza, and below it, another outdoor installation emits fog from a water feature in front of city buildings.
A collage of four photographs showing outdoor art installations using artificial fog. Clockwise from top left: a child walks through fog near a tree root sculpture; the Guggenheim Museum in Bilbao has fog rising from the water below it; a white, angular modern building is surrounded by fog on a path; a tranquil pond with reeds is covered in a thick layer of mist.
A black-and-white photograph showing people as dark silhouettes walking through a dense, white fog that billows through a wooded area. In the foreground, two figures walk away from the viewer, while more people are partially obscured by the mist in the background. The scene is from Fujiko Nakaya's 1976 art installation, Fog Sculpture.
A two-page book spread with three nighttime photographs of an outdoor art installation. In a dark, mountainous landscape, thick fog is dramatically illuminated by purple and yellow lights. A separate, larger image shows a powerful blue beam of light projecting vertically into the night sky.
A collage of three vintage color photographs from Expo '70 in Osaka, Japan, featuring the Pepsi Pavilion. The futuristic, white geodesic dome building is almost obscured by a dense, billowing cloud of artificial fog. Tall, slender black sculptures stand near the pavilion, and visitors can be seen walking around the misty, atmospheric installation.
An overhead view of a two-page spread from an art catalog, pages 104 and 105. The pages feature descriptions and small photos of various art projects from the 1970s and 1980s, including Utopia Q&A 1981, Old People's Wisdom—Cultural DNA, and Coordination: Right Hand/Left Hand. The text is organized in a clean, two-column layout with bolded titles for each artwork.
A two-page spread from an art book. The left page, 134, shows a small, horizontal abstract painting titled Neurobird, featuring a starburst-like pattern in earthy greens and browns. The right page, 135, displays a larger painting, Cloud Series, which depicts a single, puffy white cloud with paint drips against a dark background.
Fujiko Nakaya
€ 54.00
VAT included. Shipping costs will be calculated at checkout
By (artist): Fujiko Nakaya
Designed by: Katharina Köhler
Edited by: Sarah Johanna Theurer, Andrea Lissoni , Anne-Marie Duguet
March 2023, 176 Pages, 140 Photos
softcover with dust jacket
234mm x 297mm
ISBN: 978-3-7757-5251-0

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


According to Article 9(7) of the GPSR Regulation, no additional security information is required for books without supplements or special functions.

Press download
| "Fog Makes Visible Things Become Invisible and Invisible Things—like Wind—Become Visible" Fujiko Nakaya
Fujiko Nakaya is one of Japan's most important contemporary artists. Participating in the 1960s performances of the New York-based collective Experiments in Arts and Technology (E.A.T.), she became internationally renowned for her immersive fog artworks. First created for the Pepsi Pavilion at Expo '70 in Osaka they defy traditional conventions of sculpture by generating temporary, atmospheric transformations that physically engage with the public. Driven by early ecological concerns, Nakaya's groundbreaking work is based purely on water and air—elements that have particular significance in light of the climate crisis. From the artist's early paintings to her fog sculptures, single-channel videos, installations and documentation that reveal Nakaya's cultural and social references, this in-depth survey offers a comprehensive overview of the distinguished artist's work.

FUJIKO NAKAYA (*1933, Sapporo) studied at Northwestern University in Illinois. Since the creation of the first water-based fog sculpture in 1970, her works have been incorporated in the designs of public spaces, major museums, and parks around the world. In 2018, she received the Praemium Imperiale, awarded by the Japanese state for outstanding achievements in the field of the arts.
EXHIBITION
Haus der Kunst, Munich
April 8-July 31, 2022
Recommendations for you