Coverbild Miriam Cahn. WRITING IN RAGE
The book cover for Miriam Cahn Écrits de Colère, with large black text over a background that gradients from lilac to green.
The cover of the book Miriam Cahn Écrits de colère, with black sans-serif text over a background that gradients from purple to green.
Miriam Cahn. WRITING IN RAGE
ÉCRITS DE COLÈRE
€ 30.00
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By (artist): Miriam Cahn
Designed by: Ludovic Balland
Edited by: Miriam Cahn
March 2023, 300 Pages
Paperback
162mm x 242mm
ISBN: 978-3-7757-5484-2

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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The Swiss artist Miriam Cahn deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications.

WRITING IN RAGE is the first compilation of her writing by itself, and includes essays, journal entries, and correspondence with friends, foes, family members, and gallerists. The book provides very personal insights into Cahn's life, her family, and the art market, introducing the reader to a disputatious, independent spirit.

The Swiss artist MIRIAM CAHN (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications.
»Miriam Cahn’s Alluring, Angry Art -  If some of Cahn’s images are unexpected or unsettling, it is because, quite simply, they are the expressions of a very self-aware woman’s unapologetic point of view.«
Edward M. Gómez
https://hyperallergic.com/
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