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Slavs and Tatars
Wripped Scripped
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Texts by: Slavs and Tatars
Graphic Design: Stan de Natris / Slavs and Tatars
Institution: Albertinum (Kunsthalle im Lipsiusbau), Staatliche Kunstsammlungen Dresden; Kunstverein Hannover, Kunstverein Hannover
Artist: Slavs
German, English
June 2018,
152
Pages, 200 Photos
softcover
206mm x
285mm
ISBN:
978-3-7757-4472-0
| Pop culture, polemics, science: the latest antic by the artist collective
The internationally renowned art collective Slavs and Tatars is devoted to the area known as Eurasia: east of the former Berlin Wall and west of the Great Wall of China. Considering themselves as “archeologists of the everyday”, the collective focuses on the interplay of religion, power, language and identities. In books, exhibitions, and performances, they investigate mentalities, myths, traditions, and transitions, through a combination of scholarly research, polemics, and low-brow humor.Wripped Scripped continues the collective’s investigation of alphabets as an equally political and affective platform. While the roll-out of new alphabets has often accompanied the rise and fall of empires, the artists attempt to liberate not so much peoples and nations but rather the sounds and letters that make up langauge. Chapters include a look at the phoneme [kh] as a sacred perspective in the Hebrew, Arabic and Cyrillic alphabets; Germany’s relationship with Orientalism through the tetragraph [dsch]; and a study of nasal phonemes in constructing Polish and Turkish identity.Exhibition:Albertinum (Kunsthalle im Lipsiusbau), Staatliche Kunstsammlungen Dresden, 2.6.–14.10.2018Kunstverein Hannover, 17.11.2018–20.1.2019The internationally renowned art collective SLAVS AND TATARS is devoted to the area known as Eurasia: east of the former Berlin Wall and west of the Great Wall of China. Considering themselves as “archeologists of the everyday”, the collective focuses on the interplay of religion, power, language and identities. The latest artist book Wripped Scripped continues the collective’s investigation of alphabets as an equally political and affective platform. While the roll-out of new alphabets has often accompanied the rise and fall of empires, the artists attempt to liberate not so much peoples and nations but rather the sounds and letters that make up language.
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