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Yves Netzhammer
Installationen 2008-2018
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Edited by: Jennifer Burkard
Contributions: Yves Netzhammer, Michael Heitz
Texts by: Katharina Epprecht, Jennifer Burkard, Elke Kania
Institution: Museum zu Allerheiligen, Schaffhausen
Artist: Yves Netzhammer
German, English
December 2018,
184
Pages, 228 Photos
hardcover
237mm x
329mm
ISBN:
978-3-7757-4440-9
| The strange world of Yves Netzhammer’s digital imagination
With a conversation between Michael Heitz and Yves Netzhammer
A head, a rump, arms, legs; joints, skin, blood—it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist’s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer’s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.
Exhibition: Museum zu Allerheiligen, September 28, 2018 – February 17, 2019
A head, a rump, arms, legs; joints, skin, blood—it only takes a little to identify the minimalist dolls YVES NETZHAMMER (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist’s installations and film clips, challenging the boundaries between virtual and three-dimensional space.
A head, a rump, arms, legs; joints, skin, blood—it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist’s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer’s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.
Exhibition: Museum zu Allerheiligen, September 28, 2018 – February 17, 2019
A head, a rump, arms, legs; joints, skin, blood—it only takes a little to identify the minimalist dolls YVES NETZHAMMER (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist’s installations and film clips, challenging the boundaries between virtual and three-dimensional space.
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