Coverbild Der Meister von Flémalle und Rogier van der Weyden
Der Meister von Flémalle und Rogier van der Weyden
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Texts by: Prof. Dr. Jochen Sander, Stephan Kemperdick, Bastian Eclercy, Peter Klein, Antje-Fee Köllermann
Edited by: Stephan Kemperdick, Prof. Dr. Jochen Sander
German
December 2008 , 404 Pages , 0 Ills.
hardcover
311mm x 255mm
ISBN: 978-3-7757-2258-2
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The birth of modern painting: more than fifty early Netherlandish panel paintings of innovative, realistic detail and virtuoso pictorial refinement.
Robert Campin, known as the Master of Flémalle (c. 1375–1444), and his pupil Rogier van der Weyden (c. 1399–1464) were of crucial importance to the early development of Old Netherlandish painting. Along with Jan and Hubert van Eyck, they explored the visible world through painting, and thanks to oil—a new medium at the time—they were able to depict the details of this world with a realism that had never been seen before: precious brocades, the tears on the cheeks of a grieving Madonna, or snow-covered Alpine peaks on the distant horizon.The Netherlandish painters of the sixteenth century took previously unfamiliar motifs and made them worthy of painting. Still, these types of mundane details continued to make reference to a transcendental reality, since the age was still deeply influenced by religious concepts. In this monograph, more than fifty masterpieces by teachers and students, on loan from the most important museums in the world, have been assembled side by side, allowing a direct comparison and classification of this hotly debated body of works. (English edition ISBN 978-3-7757-2259-9) Another publication on the Master of Flémalle is available in the Art to Hear series (German edition ISBN978-37757-2365-7; English edition 978-3-7757-2365-7). Exhibition schedule: Städel Museum, Frankfurt am Main, November 21, 2008–February 22, 2009 · Gemäldegalerie,  Staatliche Museen zu Berlin, Kulturforum Potsdamer Platz , March 20–June 21, 2009
»The quality of illustrations is consistently high throughout the volume, and the reader is frequently rewarded with breathtaking double-page enlargements of the minutest details. [...] The publication represents the highest level of scholary erudition. Throughout the volume, text, data, and documentary sources are presented in exhaustive detail, with careful attention given to cross-references within the text.«
Historians of netherlandish art
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