Michael Diers Gegen den Strich. Die Kunst und ihre politischen Formen
Pressedownload
Der Pressedownload darf nur im Zusammenhang mit einer Buchbesprechung verwendet werden. Für die Illustration einer Buchbesprechung können nur bis zu drei Bilder genutzt werden. Für andere Textformate und Nutzungszwecke (wissenschaftliche Vorträge, Werbung oder ähnliches) bitten wir Sie, vorab mit uns in Kontakt zu treten, um mögliche Fragen zu Honorarkosten, Nutzungsund Urheberrechten zu klären. Die bereitgestellten Bilddaten dürfen nicht manipuliert, beschnitten oder zweckentfremdet verwendet werden. Die Pressebilder dürfen nur mit dem vollständigen Bildtitel, dem Namen des Künstlers und/oder Urhebers sowie mit dem Hinweis auf den Hatje Cantz Verlag veröffentlicht werden. Bitte beachten Sie außerdem im Einzelfall die Reproduktionsbedingungen der VG Bild-Kunst Bonn bzw. der internationalen Verwertungsgesellschaften für Bildende Kunst.
Michael Diers
Gegen den Strich. Die Kunst und ihre politischen Formen deals with groundbreaking artistic projects that have taken up current social issues in recent years and have triggered heated controversies. The aim of these exemplary investigations is to explore the remaining freedom and qualities of contemporary political art, which is increasingly shaped by identity politics, cancel culture and censorship. Works by Lothar Baumgarten, Christoph Büchel, Sam Durant, Gelitin, David Hammons, Thomas Hirschhorn, Taring Padi, Wermke/Leinkauf, Mark Wallinger and the Center for Political Beauty are discussed in eleven chapters. They represent the broad spectrum of an art that intervenes critically and is not satisfied with self-referentiality or decoration. A study of contemporary political iconography that is as thorough as it is incisive.
MICHAEL DIERS is one of the most distinguished German art historians and university teachers. As an author and editor, he has published extensively on the history and theory of art and the image, as well as on political iconography. He is co-editor of the Collected Writings of Aby Warburg.
Gegen den Strich. Die Kunst und ihre politischen Formen deals with groundbreaking artistic projects that have taken up current social issues in recent years and have triggered heated controversies. The aim of these exemplary investigations is to explore the remaining freedom and qualities of contemporary political art, which is increasingly shaped by identity politics, cancel culture and censorship. Works by Lothar Baumgarten, Christoph Büchel, Sam Durant, Gelitin, David Hammons, Thomas Hirschhorn, Taring Padi, Wermke/Leinkauf, Mark Wallinger and the Center for Political Beauty are discussed in eleven chapters. They represent the broad spectrum of an art that intervenes critically and is not satisfied with self-referentiality or decoration. A study of contemporary political iconography that is as thorough as it is incisive.
MICHAEL DIERS is one of the most distinguished German art historians and university teachers. As an author and editor, he has published extensively on the history and theory of art and the image, as well as on political iconography. He is co-editor of the Collected Writings of Aby Warburg.
Gegen den Strich. Die Kunst und ihre politischen Formen deals with groundbreaking artistic projects that have taken up current social issues in recent years and have triggered heated controversies. The aim of these exemplary investigations is to explore the remaining freedom and qualities of contemporary political art, which is increasingly shaped by identity politics, cancel culture and censorship. Works by Lothar Baumgarten, Christoph Büchel, Sam Durant, Gelitin, David Hammons, Thomas Hirschhorn, Taring Padi, Wermke/Leinkauf, Mark Wallinger and the Center for Political Beauty are discussed in eleven chapters. They represent the broad spectrum of an art that intervenes critically and is not satisfied with self-referentiality or decoration. A study of contemporary political iconography that is as thorough as it is incisive.
MICHAEL DIERS is one of the most distinguished German art historians and university teachers. As an author and editor, he has published extensively on the history and theory of art and the image, as well as on political iconography. He is co-editor of the Collected Writings of Aby Warburg.