Coverbild Wolfgang Tillmans
An open book showing pages 40 and 41 from Wolfgang Tillmans' publication, Total Solar Eclipse. The left page is filled with German text. The right page displays two other open-book spreads. The top one shows line graphs of solar activity. The bottom one displays two photos: a dark sky with clouds on the left, and a close-up of the orange sun with visible sunspots on the right.
A book spread with German text on the left and a color photograph on the right. The photo is a full-length portrait of a man with a shaved head and a mustache, wearing a black Adidas tracksuit top, black shorts, and white sneakers. He leans against a white wall next to a window, resting one arm on a stack of cardboard boxes.
A page from an art book showing an abstract, black and white photograph on the left titled Blushes # 66. The artwork is ethereal and hazy, depicting what looks like a burst of dark particles at the top and a delicate, fan-like pattern of thin lines at the bottom on a light gray background. The right side of the spread contains two columns of text in German.
A two-page spread from a book, pages 78 and 79, showing an interview in German. The text is in a two-column layout with black type on a white background, featuring a conversation between Wolfgang Tillmans and Mary Horlock.
A two-page spread from a publication. The left page contains an article in German. The right page displays a black and white exhibition poster by Wolfgang Tillmans titled I Didn't Inhale. The poster shows a Concorde supersonic jet flying over the roof of a house against a cloudy sky. The exhibition details for the Chisenhale Gallery in 1997 are at the bottom.
A page layout showing excerpts from Wolfgang Tillmans' Wako Book 3. On the left is the book cover, which is grey with the title over a misty image of trees. On the right are two open spreads from the book. The top spread has an abstract inkblot image and a high-contrast graphic. The bottom spread shows a black and white photo of black items scattered on a hallway floor next to a line drawing of a chair.
A two-page spread of an article in German, featuring an interview between artists Isa Genzken and Wolfgang Tillmans from Artforum, November 2005. The text is laid out in a two-column format on pages numbered 126 and 127.
A two-page spread from an art publication, pages 150 and 151. The left page shows a photograph of Wolfgang Tillmans's 2006 installation, Memorial for the Victims of Organized Religions, which consists of a grid of 48 dark, square photographs arranged on two white gallery walls. Below the image and on the right page is an interview with the artist in German.
A page from a book showing German text on the left and a color photograph on the right. The photo is a close-up of a tree branch with a small, unripe green apple. A handwritten sticky note is attached to the apple with the text PLEASE leave this one!. In the background, apartment buildings are out of focus under a white sky. The caption below reads: Please leave this one (day), 2002.
A two-page spread from a book. On the left is a page of German text titled Statement für pro-EU / anti-Brexit campaign, 25. April 2016. On the right is a campaign poster with a hazy sky background. The poster reads: It's a question of where you feel you belong. We are the European family. Register to vote before 7th June.
A two-page spread from a book or catalog showing an art installation. The pages feature a transcript of an interview in German. In the center is a vertical panel with a series of photographs depicting several Black individuals, along with printed texts. A caption identifies the work as an installation view of Qu'est-ce qui est différent? (What is different?) from 2018.
A two-page spread from the Winter 2019 issue of Aperture magazine, pages 312 and 313. The pages feature a conversation in German between Wolfgang Tillmans and Martin Hägglund, titled Spiritualität ist Solidarität, laid out in two columns of black text on a white background.
Wolfgang Tillmans
Reader
€ 40.00
VAT included. Shipping costs will be calculated at checkout
By (artist): Wolfgang Tillmans
Designed by: Joseph Logan
Edited by: Roxana Marcoci, Phil Taylor
May 2023, 352 Pages, 133 Photos
Paperback with Flaps
164mm x 252mm
ISBN: 978-3-7757-5323-4

HATJE CANTZ VERLAG
Mommsenstr. 27
10629 Berlin
Germany
E-Mail: contact@hatjecantz.de


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| The Artist's Texts
Wolfgang Tillmans: Reader presents for the first time in a systematic way the artist's contributions as a thinker, writer, and speaker, engaging the issues of our time through a great complexity of creative expression. From the beginning of his career, Wolfgang Tillmans made as much of an impact on the printed page as he did on the wall - interweaving text and image and reflecting on his photographic practice in writing. In advance of the major exhibition of his work at MoMA, this anthology brings together texts and interviews spanning more than three decades, never-before-published materials, and reproductions of magazine and book pages. Arranged chronologically, this comprehensive panorama reflects Tillmans' thoughts on photography, music, nightlife, astronomy, spirituality, politics, and activism. The sources are as diverse as its content: conversations originally published in exhibition catalogues are supplemented by social media posts and song lyrics. Highly topical and engaging, this volume traces Tillmans' contributions to art and cultural criticism hand-in-hand with the social and cultural changes of the last thirty years.

 

The work of WOLFGANG TILLMANS (*1968, Remscheid) has repeatedly challenged the possibilities of image-making for over 30 years. His practice combines intimacy with social criticism and the questioning of existing values and hierarchies. After making a name for himself in the early 1990s with his style-defining photographs of youth and popular culture, his work has expanded to include a wide variety of genres and photographic practices. He was awarded the Turner Prize in 2000, the Hasselblad Award in 2015, and the 2018 Goslar Kaiserring Award. Tillmans lives and works in London and Berlin.
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